Joan Arnau Pàmies

Works

decadentia [Anti-Verdinglichung II] (2018-2019) (in progress)

Commissioned by and written for Mar Sala Romagosa and Pieter-Jan Vercammen

Instrumentation: Flutes, acoustic and electric guitars, electronics

Duration: 30 minutes


Foundations I-X (2017-2018) (in progress)

Commissioned by and written for Jessica Aszodi

Instrumentation: Soprano

Duration: 30 minutes


Sonata [Anti-Verdinglichung I] (2017-2018) (in progress)

Commissioned by and written for Carlos Cordeiro and Ekmeles

Instrumentation: Contrabass clarinet, six voices (soprano, mezzo-soprano, alto, tenor, baritone, and bass), and electronics

Duration: 30 minutes


Res publica – Interregne (2018)

Instrumentation: Prepared piano, recorder, drum, and radio system

Duration: 50 minutes


Λήθη - επιβεβαίωση - ἀλήθεια [Homage to C.P.] (2017-2018)

Commissioned by and written for Jeff Siegfried

Instrumentation: Alto saxophone and electronics

Duration: Variable, preferably 10–20 minutes


Produktionsmittel I–III (2014-2016)

Commissioned by Vertixe Sonora Ensemble with support from the Department of Culture of Generalitat de Catalunya and Northwestern University. Written for Alessandra Rombolá, Celia Adrián, Angélica Vázquez, Jessica Aszodi, Emily Beisel, Carlos Cordeiro, Zachary Good, and Liam Hockley.

Instrumentation: Flute, accordion, harp, 16 clarinets (4 E flat, 4 B flat, 4 A, 4 bass clarinets), voice, and electronics

Duration: 2 hours


algorithm routing data according to specific time constraints (or, a statistical study on sociological patterns) (2016)

Commissioned by and dedicated to Chartreuse

Instrumentation: Three performers

Duration: 8 minutes and 30 seconds


...es kömmt drauf an, sie zu verändern. (2015)

Commissioned by Liam Hockley

Instrumentation: Four clarinets and one performer

Duration: ca. 4 minutes


segon quartet de corda (2015)

Commissioned by Centro Nacional de Difusión Musical of Spain’s Ministry of Education, Culture and Sport and written for the JACK Quartet

Instrumentation: String quartet

Duration: ca. 10-15 minutes


1≈∞ (EoM) (2015)

Commissioned by and written for Weston Olencki

Instrumentation: Trombone with practice mute

Duration: ca. 1 minute


in medias res: a brief commentary on tradition (2014)

Commissioned by William Lang, Laura Cocks, and Jordan Dodson

Instrumentation: Bass flute, guitar, and trombone

Duration: ca. 4 minutes


constrained semantic trajectory (2014)

Commissioned by and written for Jeffrey Gavett

Instrumentation: Baritone

Duration: ca. 4-8 minutes


per ser plagat de ta dolça ferida (2013-14)

Commissioned by and written for loadbang with support from Department of Culture of Generalitat de Catalunya

Instrumentation: Baritone, bass clarinet, trumpet, and trombone

Duration: ca. 6 minutes


PALIMPSESTUS (2013)

Commissioned by and written for Fonema Consort

Instrumentation: Soprano, double bass, and percussion

Duration: ca. 8 minutes


[VItbn]^4 (o quatre panells per a trombó sol) (2013)

Commissioned by and dedicated to William Lang

Instrumentation: Trombone with F-attachment

Duration: 11 minutes


[V(fl.ob.vln/c)IIIkl] (2013)

Written for Ensemble Recherche

Instrumentation: Flute, oboe, violin, cello, and piano

Duration: ca. 7 minutes


[VIvox]^3 (2012-13)

Commissioned by Nina Dante

Instrumentation: Three equal voices

Duration: ca. 2 minutes


[k(d_b)s] (2012-13)

Commissioned by and written for Kathryn Schulmeister with support from New Music USA

Instrumentation: Double bass

Duration: ca. 7 minutes


[14(a/c)_∞p] (2012)

Commissioned by New Morse Code

Instrumentation: Viola, cello, and percussion

Duration: ca. 13 minutes


[IVsaxVIvlc]^[III(bflbclvln/a)] (2012)

Commissioned by and written for Ensemble Dal Niente

Instrumentation: Sopranino saxophone, cello, bass flute, bass clarinet, violin, and viola

Duration: 8 minutes


[IVsax(op_VIvln/c)] (2012)

Commissioned by and written for Fonema Consort

Instrumentation: Any type of saxophone, optional violin and cello

Duration: 7 minutes


[VIsi-klIXvlc] (2012)

Commissioned by Markus Wenninger

Instrumentation: E flat clarinet and any string instrument

Duration: ca. 11 minutes


[IVflbclVIvln/c] (2012)

Commissioned by and written for the Moscow Contemporary Music Ensemble

Duration: Flute, bass clarinet, violin, cello

Duration: 7 minutes


[5(bt)_6(db)] (2012)

Written for Kathryn Schulmeister and Felix Del Tredici

Instrumentation: Bass trombone and double bass

Duration: ca. 20 minutes


[4v4l2nac] (2011)

Written for the JACK Quartet

Instrumentation: Amplified string quartet

Duration: 8 minutes


VERSUS I & II (Selves and Contexts 2) (2011)

Commissioned by and written for ALEA III

Instrumentation: Flute, oboe, B flat clarinet, bassoon, 2 violins, viola, and cello

Duration: 6 minutes


[d(k_s)b] (2011)

Commissioned by and written for Kathryn Schulmeister

Instrumentation: Amplified double bass

Duration: 7 minutes


Horror Vacui (2011)

Commissioned by and written for Diamanda La Berge Dramm and Alex Edelmann

Instrumentation: Violin and double bass

Duration: 9 minutes


for violin (2010)

Written for Tessa Lark

Instrumentation: Solo violin

Duration: ca. 4 minutes


postludes (hommage à A.W.) (2010)

Written for Kathryn Schulmeister and Tony Rymer

Instrumentation: Cello and double bass

Duration: ca. 4 minutes


canvas (2010)

Commissioned by and written for the Polaris Trio

Instrumentation: Soprano saxophone, percussion, piano

Duration: 15 minutes


exceptio probat regulam (2009-2010)

Commissioned by Internationales Musikinstitut Darmstadt and written for Ensemble 2010

Instrumentation: Alto flute, guitar, viola, and percussion

Duration: 12 minutes


18 (2009)

Commissioned by and written for Joan Martí Frasquier

Instrumentation: Baritone saxophone and two-channel prerecorded electronics

Duration: 8 minutes

Creative Commons | 2018